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Filling gaps in the narratives of Tanzanian farmers


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Rice farmers in Mbarali District, Tanzania. Photo by Nkumi Mtingwa/CIFOR
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FTA COMMUNICATIONS TEAM

Rice farmers in Mbarali District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

To go beyond socially appropriate responses and understand what is really going on in their project sites, researchers created a medium for participants to narrate the stories behind the data.

Following a recent overview of a Tanzanian research project that uses visual communication to enable farmers to speak up, this article looks at the developments that have been taking place since. Principal Investigator Emily Gallagher explains what has happened with her filmmaking project now that the sugarcane and tea outgrower communities at the center of the research have been visited, interviewed and filmed, and community screenings organized.

As outlined previously, the project uses the methodology of collaborative documentary, from the visual anthropology field, enabling community members take on the role of active collaborators. However, it is not a documentary in which researchers are trying to look through the research subjects’ eyes.

Communities have control over the script and storyboard through an iterative research process that includes surveys and semistructured questionnaires followed by in-depth interviews that took the researchers back to the field with a Tanzanian filmmaker to document the oral histories and daily lives of sugarcane, rice and tea farmers.

“We are using filmmaking as a collaborative method to spark dialogue and fill in the conversational gaps in the narrative. We know what the quantitative data say. We want to create a medium for the research participants to narrate the stories behind the data using  participatory activities to get beyond the socially appropriate response to understand what is really going on,” said Gallagher, of the Center for International Forestry Research (CIFOR).

The final step of this process is to take the documentary to a national-level workshop. “The fact that the communities knew that the final film was going to be shown at national level and that we came back to the village three different times meant a lot for the process and the communities. This was crucial. Communities need to feel that there is a benefit for them to dedicate so much of their time,” she added.

Read more: Visualizing gender in Tanzanian sugarcane production: The use of community screening and documentary filming

Emily Gallagher works with a cultural interpreter in Kilosa District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

Using specific gender-inclusive angles 

The methodology also aimed to understand more about the role of gender and social inclusion in the daily lives of male and female sugarcane, rice and tea outgrowers.

“In the beginning we thought that tackling gender issues would be difficult for we mostly saw gender issues pop up during the process and the narrations, for example when we were talking about environmental history, the current landscape narrative, transitions from an existing crop to commodity crop, and the land availability in the community and who gets land, why and how. However, in the end, the film turned out to be a tool to help figure out the gaps in these ‘socially desired’ narratives,” Gallagher explained.

Taking Tanzania, a country with a socialist history, as an example, she suggested that some people might have a cultural mindset in which everything must be or was already equally divided. “In our group interviews, people would respond that  all land is divided equally between families, men, women and youth. However, the intra-household data about land access and ownership contradict this egalitarian narrative. Or, for example, during a workshop, we asked a group of men and women whether the land gets divided equally between men and women. And while the men were loudly saying ‘yes’, the women on the other side were dramatically rolling their eyes and responding ‘not at all’. So we can see there is a gap in this narrative, and I try to use the film narratives to fill these gaps.”

Read more: Gender equality and social inclusion

Gender role play

To understand more about these gaps Gallagher decided to use a gender role play methodology to view the current situation of women’s lack of access to land, the fact that women historically do not inherit land, and the general land scarcity for youth. This methodology has been developed by the CGIAR Research Program on Water, Land and Ecosystems (WLE) and works with different scenarios.

The community members were asked to play out what would happen, with one change: the men would play the women’s roles, and the women would play the men’s roles. According to Gallagher, this gives women a new kind of power, as they can show from their own perspectives how they feel women and men are treated in the community.

The gender role play methodology was used to understand current situations relating to land. Photo by Nkumi Mtingwa/CIFOR

She used two specific scenarios. The first one was about a young man who was ready to marry. However, both his parents were still healthy and not yet ready to give up their land. The second scenario was of a young widow who had been farming the land of her deceased husband, but his family wanted to take back the land to give to their other son.

In both examples, all kinds of follow-up scenarios came up, such as the healthy parents giving their son the land piece by piece, while he had to share his income with them, and the widowed woman having to marry her brother-in-law to continue having access to the land, or refusing to marry and being asked to leave the land.

These scenarios showed the general understanding among both men and women that it makes more sense to give land to a son than to a daughter, as giving it to a son will ensure the land stays in the family. Giving it to a daughter could lead to her new husband or his family deciding to sell it, or he could pass away and the family of the deceased husband might keep it. And with the current land scarcity, families do not want to run these risks. Furthermore, there is the case of divorce.

“Often in Tanzania people marry only in the traditional way and not through court, so in the case of divorce, the official court rules of equal division of assets do not apply,” said Gallagher. “This is a tense topic, but above all, this is beyond a land issue; it is about a cultural practice and thus extremely hard to change.”

Women left out of supply and value chains

Another moment when it became clear that women, due to a lack of land, had fewer livelihood choices was in value chain exercises. Again, Gallagher made use of different scenarios, in which she talked about the current and past situations, agricultural futures and the changing price of sugarcane.

Gallagher discusses a daily calendar with a sugarcane grower for the documentary in Kilosa District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

During the participatory supply chain exercises she asked participants to act out in which part of the supply chain men, women and youth fit. Through this it became clear that women are restricted to activities inside the farmgate and have little influence in decisions beyond the household. Using this information she initiated a discussion about what kind of change needs to happen at every step of the supply chain to make it socially inclusive.

One conclusion was that in general women require access to land, more inclusion in different roles across the supply chains, and more representation in organizations.

Those who tend to be most vulnerable are the women who marry young, and those whose husband passes away before their children are old enough to inherit, as underage children are legally not allowed to inherit land.

Gallagher mentioned that even though there are very few women landowners and it is hard to find female association members, there are some women in powerful positions. Those women appeared to have been put there based on their leadership qualities, which might not be the case for men.

Read more: Gender-responsive methodology for value chain development

Next steps, uptake to the national level

“In general, it was hard for us to cut all that great footage back into something that we could actually share and show and to capture all the issues they thought were important. However, we also noticed that our first target group, the communities, have a lot of patience watching longer videos, especially when it shows familiar faces and voices from their own communities,” said Gallagher.

The next step is for the film to be shown at the national workshop level. This final step has been mentioned throughout the process, so community members know their voices will be heard at national level. Twelve community members will be present at the national level workshop so that they can see how the documentary is received, and what kind of discussion it might provoke.

By Manon Koningstein, FTA Gender Integration Team. 


This project is led by the Center for International Forestry Research (CIFOR) under a cross-CGIAR Research Program collaboration with the CGIAR Research Program on Forests, Trees and Agroforestry (FTA), the CGIAR Research Program on Policies, Institutions, and Markets (PIM) and the CGIAR Research Program on Water, Land and Ecosystems (WLE).

This work forms part of the CGIAR Research Program on Forests, Trees and Agroforestry. We would like to thank all donors who supported this work through their contributions to the CGIAR Fund.


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Filling gaps in the narratives of Tanzanian farmers


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Rice farmers in Mbarali District, Tanzania. Photo by Nkumi Mtingwa/CIFOR
Posted by

FTA COMMUNICATIONS TEAM

Rice farmers in Mbarali District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

To go beyond socially appropriate responses and understand what is really going on in their project sites, researchers created a medium for participants to narrate the stories behind the data.

Following a recent overview of a Tanzanian research project that uses visual communication to enable farmers to speak up, this article looks at the developments that have been taking place since. Principal Investigator Emily Gallagher explains what has happened with her filmmaking project now that the sugarcane and tea outgrower communities at the center of the research have been visited, interviewed and filmed, and community screenings organized.

As outlined previously, the project uses the methodology of collaborative documentary, from the visual anthropology field, enabling community members take on the role of active collaborators. However, it is not a documentary in which researchers are trying to look through the research subjects’ eyes.

Communities have control over the script and storyboard through an iterative research process that includes surveys and semistructured questionnaires followed by in-depth interviews that took the researchers back to the field with a Tanzanian filmmaker to document the oral histories and daily lives of sugarcane, rice and tea farmers.

“We are using filmmaking as a collaborative method to spark dialogue and fill in the conversational gaps in the narrative. We know what the quantitative data say. We want to create a medium for the research participants to narrate the stories behind the data using  participatory activities to get beyond the socially appropriate response to understand what is really going on,” said Gallagher, of the Center for International Forestry Research (CIFOR).

The final step of this process is to take the documentary to a national-level workshop. “The fact that the communities knew that the final film was going to be shown at national level and that we came back to the village three different times meant a lot for the process and the communities. This was crucial. Communities need to feel that there is a benefit for them to dedicate so much of their time,” she added.

Read more: Visualizing gender in Tanzanian sugarcane production: The use of community screening and documentary filming

Emily Gallagher works with a cultural interpreter in Kilosa District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

Using specific gender-inclusive angles 

The methodology also aimed to understand more about the role of gender and social inclusion in the daily lives of male and female sugarcane, rice and tea outgrowers.

“In the beginning we thought that tackling gender issues would be difficult for we mostly saw gender issues pop up during the process and the narrations, for example when we were talking about environmental history, the current landscape narrative, transitions from an existing crop to commodity crop, and the land availability in the community and who gets land, why and how. However, in the end, the film turned out to be a tool to help figure out the gaps in these ‘socially desired’ narratives,” Gallagher explained.

Taking Tanzania, a country with a socialist history, as an example, she suggested that some people might have a cultural mindset in which everything must be or was already equally divided. “In our group interviews, people would respond that  all land is divided equally between families, men, women and youth. However, the intra-household data about land access and ownership contradict this egalitarian narrative. Or, for example, during a workshop, we asked a group of men and women whether the land gets divided equally between men and women. And while the men were loudly saying ‘yes’, the women on the other side were dramatically rolling their eyes and responding ‘not at all’. So we can see there is a gap in this narrative, and I try to use the film narratives to fill these gaps.”

Read more: Gender equality and social inclusion

Gender role play

To understand more about these gaps Gallagher decided to use a gender role play methodology to view the current situation of women’s lack of access to land, the fact that women historically do not inherit land, and the general land scarcity for youth. This methodology has been developed by the CGIAR Research Program on Water, Land and Ecosystems (WLE) and works with different scenarios.

The community members were asked to play out what would happen, with one change: the men would play the women’s roles, and the women would play the men’s roles. According to Gallagher, this gives women a new kind of power, as they can show from their own perspectives how they feel women and men are treated in the community.

The gender role play methodology was used to understand current situations relating to land. Photo by Nkumi Mtingwa/CIFOR

She used two specific scenarios. The first one was about a young man who was ready to marry. However, both his parents were still healthy and not yet ready to give up their land. The second scenario was of a young widow who had been farming the land of her deceased husband, but his family wanted to take back the land to give to their other son.

In both examples, all kinds of follow-up scenarios came up, such as the healthy parents giving their son the land piece by piece, while he had to share his income with them, and the widowed woman having to marry her brother-in-law to continue having access to the land, or refusing to marry and being asked to leave the land.

These scenarios showed the general understanding among both men and women that it makes more sense to give land to a son than to a daughter, as giving it to a son will ensure the land stays in the family. Giving it to a daughter could lead to her new husband or his family deciding to sell it, or he could pass away and the family of the deceased husband might keep it. And with the current land scarcity, families do not want to run these risks. Furthermore, there is the case of divorce.

“Often in Tanzania people marry only in the traditional way and not through court, so in the case of divorce, the official court rules of equal division of assets do not apply,” said Gallagher. “This is a tense topic, but above all, this is beyond a land issue; it is about a cultural practice and thus extremely hard to change.”

Women left out of supply and value chains

Another moment when it became clear that women, due to a lack of land, had fewer livelihood choices was in value chain exercises. Again, Gallagher made use of different scenarios, in which she talked about the current and past situations, agricultural futures and the changing price of sugarcane.

Gallagher discusses a daily calendar with a sugarcane grower for the documentary in Kilosa District, Tanzania. Photo by Nkumi Mtingwa/CIFOR

During the participatory supply chain exercises she asked participants to act out in which part of the supply chain men, women and youth fit. Through this it became clear that women are restricted to activities inside the farmgate and have little influence in decisions beyond the household. Using this information she initiated a discussion about what kind of change needs to happen at every step of the supply chain to make it socially inclusive.

One conclusion was that in general women require access to land, more inclusion in different roles across the supply chains, and more representation in organizations.

Those who tend to be most vulnerable are the women who marry young, and those whose husband passes away before their children are old enough to inherit, as underage children are legally not allowed to inherit land.

Gallagher mentioned that even though there are very few women landowners and it is hard to find female association members, there are some women in powerful positions. Those women appeared to have been put there based on their leadership qualities, which might not be the case for men.

Read more: Gender-responsive methodology for value chain development

Next steps, uptake to the national level

“In general, it was hard for us to cut all that great footage back into something that we could actually share and show and to capture all the issues they thought were important. However, we also noticed that our first target group, the communities, have a lot of patience watching longer videos, especially when it shows familiar faces and voices from their own communities,” said Gallagher.

The next step is for the film to be shown at the national workshop level. This final step has been mentioned throughout the process, so community members know their voices will be heard at national level. Twelve community members will be present at the national level workshop so that they can see how the documentary is received, and what kind of discussion it might provoke.

By Manon Koningstein, FTA Gender Integration Team. 


This project is led by the Center for International Forestry Research (CIFOR) under a cross-CGIAR Research Program collaboration with the CGIAR Research Program on Forests, Trees and Agroforestry (FTA), the CGIAR Research Program on Policies, Institutions, and Markets (PIM) and the CGIAR Research Program on Water, Land and Ecosystems (WLE).

This work forms part of the CGIAR Research Program on Forests, Trees and Agroforestry. We would like to thank all donors who supported this work through their contributions to the CGIAR Fund.


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Visualizing gender in Tanzanian sugarcane production: The use of community screening and documentary filming


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A Tanzanian family stands together for a photograph. Photo by Carol J. Pierce Colfer/CIFOR
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FTA COMMUNICATIONS TEAM

A child plays beside her mother in Tanzania. Photo by M. Koningstein/CIAT

Including the voices of both male and female farmers in the larger decision-making process at a national level sounds logical, but how can it be done in practice? 

“Usually these farmers don’t have a chance to talk directly to the large companies,” said Principal Investigator Emily Gallagher of the Center for International Forestry Research (CIFOR). “It is for this reason that we have decided to include documentary filming and community screening as an essential part of the research process, to give these farmers a voice.”

A project led by CIFOR, under a cross-CGIAR Research Program collaboration with the CGIAR Research Program on Forests, Trees and Agroforestry (FTA), the CGIAR Research Program on Policies, Institutions, and Markets (PIM) and the CGIAR Research Program on Water, Land and Ecosystems (WLE), uses an innovative methodology including documentary filming, community screening and local and national level workshops to do just that.

Visualization of research

Gallagher and her team are currently undertaking field visits, with a focus on sugarcane farmers, done in collaboration with enumerators and partners from the University of Dar es Salaam.

“What I am really interested in is the visual communication aspect and the visualization of the research. This is what we are trying to reach through the use of the documentary film. For now, we have interviewed and filmed three people per community [six in total for the sugarcane farmers]. Two of them are outgrowers and one of them is a non-outgrower. Then, I want to use the issues that come out of the filming workshop as a guide to structure the dialogue and capture the communities, using a dialogical process with a strong facilitation, together with the investors,” she explained.

This involved exercises with various communities, including both men and women, and outgrowers and non-outgrowers, to understand what guided their decisions to say yes or no to becoming members of sugarcane associations.

Men collect water in Tanzania. Photo by Tim Cronin/CIFOR

“Another approach we take is using scenarios. We try to understand what, for example, an increase or decrease of the sugar price would mean for them: Would they leave or join associations? What would this mean for the adjoining forest? What would it mean for water scarcity or water quality?” Gallagher added.

The project then went a step further, by filming the interviews and creating a documentary, along with other footage. This film was screened at the beginning of September to two communities. The screenings were open to the whole community, and were also attended by the researchers and an invited district officer. The following day a workshop was held with village representatives. Furthermore, the movie was shared in the same week with the investor.

“We engage them all together in a local workshop, in which the video will serve as a means of facilitation. Here we will film their feedback, their reactions, their ideas and any other topics that might surge,” she said.

After this, the team will make a second version of the movie, which will be shown during a national workshop, to which national decision-makers will be invited.

“This way, again, the video will serve as a way to show the voices from the field, as a guide in the facilitation of the national workshop and as a tool to gain empathy and understanding of national decision-makers [about] what it is like to be a smallholder sugarcane farmer.”

Find out more: Gendered dimensions of large-scale and smallholder-inclusive agricultural investments in Tanzania

Gendered or generational restricted access?

In regards to the gender approach in the project, the results have been interesting thus far: In the community of Kitete, farmers tend to have very little land and therefore the whole household works together on the same plot. Therefore, the division between food crops and cash crops is not so clear, nor is the gender division of tasks.

A Tanzanian family stands together for a photograph. Photo by Carol J. Pierce Colfer/CIFOR

Female farmers who were not part of the association were asked whether they felt there was gender-restricted access. However, they said there was more of a youth restriction: Most young farmers do not have land because they have not inherited any. This land scarcity is also the cause of a lot of internal household conflicts in which various children fight for a very small piece of land, and why only very few farmers can buy land, because no one is selling it.

The only valid reason, as the interviewed farmers mentioned, for moving away from sugarcane production would be if prices dropped and thus the return on investment did not make production worth it anymore.

Field visits to suspicious sugarcane farmers

But it has not been as easy as it sounds, according to Gallagher. As always, field visits begin with traditional village introductions, done together with government officials based in the village, the village chairperson and subvillage leaders, partners from the University of Dar es Salaam, and later with a professional filmmaker. Reactions to their presence and the documentary filmmaking proposal have been quite diverse.

In the first village, a longer follow-up explanation was needed to clarify that CIFOR’s intention was not to convince farmers to join big cooperatives, as they had seen done in the past, but purely to understand the context and reasons for day-to-day decisions that the sugarcane farmers make.

“Basically, the context in which we are working here in Tanzania is one of quite some suspicion and mistrust. Farmers have no means to talk directly to large agribusiness and a lot of misinformation is going around. I think if companies had more open communication pathways about their management practices and market strategies, much of the distrust would dissipate,” said Gallagher.

It can be said that the sugarcane market works through associations. “Overall, outside of the associations, there is no market for sugarcane. So unless it is a food crop, farmers need to somehow become a member of an association to sell their product. However, it seems that farmers are trusting the associations more than the government-backed cooperatives, which they have called corrupt and misguiding,” Gallagher added.

Gallagher will be in the field in coming months, shifting her focus toward rice and tea farmers in Tanzania. Gender dimensions in these communities are expected to bring different outcomes.

By Manon Koningstein, FTA Gender Integration Team.  


This project is part of a larger study to examine the local impacts of commercialization across the Southern Agricultural Growth Corridor of Tanzania (SAGCOT). The initiative aims to improve national food security, reduce poverty and support climate-resilient livelihoods through sustainable agricultural growth. In practice, SAGCOT will grow through public-private partnerships to finance agricultural infrastructure, value chain development and various smallholder outgrower schemes in Tanzania. 

The government of Tanzania, private investors and civil society organizations have outlined a commitment to social inclusion and climate-smart development through the SAGCOT Investment Blueprint (2011) and the Green Growth Investment Framework (2013).

However, some consider that these instrumental investment frameworks have overlooked the ways in which they could also serve as an example of the pathways that safeguard women’s access and household food security, while at the same time promoting gender-inclusive green growth. 

Thus the next new phase was entered the research process. This phase, led by Emily Gallagher, aims to contribute to the dialogue by analyzing the social, economic and institutional factors that affect gendered access to these agro-investments and to propose pathways for the government of Tanzania’s socially inclusive vision for SAGCOT. 

It does so through a set of methods and communication instruments for documenting the gender baseline in the initial stages of SAGCOT development. The gender baseline measures the relative level of women’s participation in SACGOT outgrower schemes and how this impacts household food security and gendered distribution of benefits. Furthermore, it aims to provide an opportunity to operationalize the government of Tanzania’s gender inclusive policies through innovative practice.


This work forms part of the CGIAR Research Program on Forests, Trees and Agroforestry. We would like to thank all donors who supported this work through their contributions to the CGIAR Fund.


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